Skip to main content

"I am a Child to my Emotions"



[ This piece is a hybrid between poetic and short story, and it is about how the characters in novels all appear different to each individual reader, as we all build personalities, looks, feelings etc. not just from the image the writers tells us to build, but from our own emotions and thoughts as well. We all see characters, even the most infamous ones; in a different way. ]


I close my eyes and I can see you.
I open them, and now I hear you. 

A character that was built from your vocabulary is now ripped from the pages and given a new life here with my commentary. For I will see you as the heroin you truly are despite the hand you were dealt, I construct you now to know the emotions I have felt. 

I open to the book to the beginning of our journey and wonder what your author wants me to see, what do they want me to know? Standing in the wings are the characters who await your plot needs, but do you really want to be the hero they see to lead? 

As I am stuck within this crucial stage in deciding your morality, our fictitious relationship becomes more than just a single commonality. The human side forces its way out in a manner I had not expected, but now you are so small, not weak; just unable to move. 

This causes me to wonder, what does this character mean to me, am I just as small? Is that why I’m reading her to be like this now? I begin to ponder, why do we read stories about the struggle of heroes? Are there no villains with powerful stories who struggle as well? In fact, who is to say they are the villain?

I look at you intently, trying to discover the true characteristics buried within. You stare straight back, and we begin to wonder the same thing, who are you really? With these eyes opened wide and large pupils that divide space I realize, you are not me; but you are becoming me. 

You are becoming the villain.

As I draw near the end of our story I reflect on the journey that has been. I contemplate the tale of our villain, and how we both have grown to connect with one another. I turn to you now in gratitude for allowing me to meet her, as the bond of something greater than friendship has been woven.

I close the book and place it on the floor; I turn off the light and close my eyes once more. It is dark, but I can see clearly now, who you really are.


Comments

Popular posts from this blog

What I am Most Looking Forward to- Gail Jones ‘The Art of Writing’

T hough there will be a variety of authors attending this year’s Writers Festival in Mildura who will all bring something new and fascinating to our arts education, for me personally I have felt drawn in with mysterious fascination by the Australian writer Gail Jones, whose collections of work have peaked my curiosity into what kind of insight she will provide in her talk ‘The Art of Writing’, alongside Helen Garner with Michael Meehan. At first when I begun to research the festival program and the people who would be holding the sessions, Jones seemed to be someone who stood out to me the most for honestly no particular reason. It was after looking into her articles of work and coming across her novel A Guide to Berlin (2015) that I began to grow interested in her as an author.   Mildura Writers Festival guest author: Gail Jones At first I thought the novel was simply just what it says in its title; that it was a tour guide for Berlin; but in actual fact it is a novel th

The Voice Inside the Writer

[This piece is written about my experience of hearing the writers read out their works on the final day of the festival, which provided a whole new dimension to hearing and seeing the characters and settings in their novels.] S omething I found to be quite extraordinary was the emotions in the voices for the writers, who all created something so powerful when they read the words out aloud from the pages of their novel, bringing the characters out into the world and giving them life. Unlike the thoughts in my short poem ‘I am a child to my emotions' where I spoke about how we all recognize characters in a certain way, it is from the authors readings that this idea is challenged. The audience was able to witness the true uniqueness of these characters, and listen as they came alive though the voice of the author who created them.  Though there where many readings on the final Sunday sessions, it was Helen Garner and Jason Porter's reading session that struck me the most,

A Guide to Berlin (2015) novel review

"The power of connections"- A review of Gail Jones' A Guide to Berlin (2015) Photo taken by Erica Little S et within the wintery European city of Berlin, A guide to Berlin (2015) is a powerful narrative driven by the emotional connections between a group of foreigners and their personal stories. As a veteran Australian writer, Gail Jones brilliantly captures the individualism of each person’s life and culture in her novel, as they are simply outsiders who stick together in foreign country. Despite their commonality however, a single ripple effect through the group divides them and eventually forces them to collide. This novel centres around the main character Cass, an Australian who journeys to Berlin and joins a group of travellers from all around the world for a ‘speak memory’, in which they disclose the intimate stories of their lives and how they came to be the person they are today. As the reader follows Cass throughout her journey in getting